Instead of only binge-watching TV series this winter, I have been watching a ton of movies. Which is great. That’s one of the things winter is for right? I got a whole new living room simply in preparation for this winter. I wanted to get snowed in and watch some movies. Score!
Actually, I wondered when BF and I went shopping for TVs if his choice weren’t a bit in the gauche, over-sized way. I’m glad I decided to trust him on that. If you love movies, get a big frickin TV! Duh me.
Anyhow, every time I get a bigger TV, I have to rewatch everything ever again. Well the big ones: 2001: A Space Odyssey, Lawrence of Arabia, The Lord of the Rings Extended Editions, Star Wars, Citizen Kane, you get the, uh, picture. And WOW! It’s like seeing the film again for the first time, but better.
You can see all of these wonderful things going on that you maybe never noticed or forgot. I spent a lot of The Shining finding continuity errors in Shelley Duvall’s cigarette, while simultaneously registering the full shock of that vision of horror unfold in all its steadi-cam glory. Watching Kane, I really felt how large and looming a presence the character of Charles Kane truly is. Orson Welles is always shot from below. Or in giant extreme close-ups of his face. The end when he’s looming over Joseph Cotton felt so intimidating in the newspaper room. Xanadu felt vast and empty. And I could just cry over being able to really appreciate the depth of field thing…
Movies are just meant to be on a big screen. That sounds like a tautology, but when I was a kid I was watching pan and scan VHS copies of Star Wars! So this is a big deal. Yes, I did have the opportunity of seeing several re-releases and smaller venue showings of some amazing movies, and of course I remember the agony of the wait between Lord of the Rings movies. But, for most of my life, I’ve experienced some of the best films ever all wrong. Finally I can appreciate the films they were meant to be.
The sound helped too. I finally got to feel that shock-wave of Sauron’s destruction in the prologue of Fellowship of the Ring again. Yeeesss. I was giggling at how cool the Star Wars sound effects truly are. And 2001 has awesome sound design! I never knew this! Blew my mind to hear it properly . . . for the first time! It’s sad that I didn’t know this. But now I got to experience it. I’m just grateful. It’s like touching god for a film geek.
Personally, I think TV ruined film for a long time. Visually and technically marvelous films gave way to smaller, less imaginative films due to the technological limitations of home entertainment. But now that just about anyone can appreciate the true intention of films with stunning audio/visual at home, that has effected new movies. Since Interstellar, The Martian, Inside Out, The Grand Budapest Hotel and Mad Max: Fury Road can be appreciated just as well, if not in some manner better, on a TV screen, I’d imagine that has an effect on what movies are getting made. Can’t hurt Star Wars. Heck, they could just re-release the Original Trilogy WITHOUT the later “special” effects added over the years. I’d buy that along with just about everyone.
But it’s not only spectacle films that benefit, necessarily. Although, that’s definitely happening. Movies with careful cinematography and craft will benefit as well. I’d rather see Woody Allen’s Manhattan in all that glorious black and white on a large screen. Not to mention that score! Birdman, Ex Machina give me this vibe.
Hey, movies are what they are because of the format in which they’re meant to be viewed: BIG and LOUD. That’s why MGM made so much money off of Gone with the Wind. It’s huge and colorful with swelling music and dramatic dialogue delivery. There’s a ton to look at and take it. It’s gorgeous and thrilling, big and loud. You know if you don’t dig that sort of thing, you probably don’t like movies.
Heading into February, I still have a long list of films to watch and re-watch. I gotta through my guys Fellini and Kurosawa. I’m actually really looking forward to one of my personal (and I’m not sure why!) films, Kubrick’s Barry Lyndon. Ok, I love it because it’s perfect. Everything is perfect. The casting, the tone, the cadence, the production design, the music… the lighting. And I like what it has to say. It also makes me really root for the French Revolution to hurry up and happen.
Anyhow, what have you guys been watching or planning to watch? Now’s the time!